This is a guest blog written by Celtx Partner David Schwartz
Introduction:
You know how Rom-coms are. Boy meets girl. Boy and girl fall in love. Boy and girl break up. Boy and girl get back together. Most rom-coms follow the same formula; depending on the movie, it can be good or bad. I wouldn’t call myself a huge “rom-com” fan, but I’ll check them out on certain occasions!
So, in honor of rom-com month, let’s look at some of the best and worst rom-com movies!
Best:
When Harry Met Sally (1989)
Ah yes, the famous question of “Can a man and a woman just be friends without intimacy?” If you’ve answered yes, this film might disappoint you. Most would consider Nora Ephron’s script a classic because of the witty dialogue and humorous observations about love, dating, and gender dynamics. And, of course, who could forget the famous Deli scene? Most importantly, who could forget the chemistry between Billy Crystal and Meg Ryan? Most of the time, audiences wonder if they’ll just be friends or something more, so it’s safe to say… you’ll have to watch to find out.
The Princess Bride (1987)
If you like romance, comedy, fantasy, and sword-fighting, then The Princess Bride is meant for you! Every once in a while, I’ll come across this on television or a streaming service and check it out because of the clever characters and story. Most importantly, it’s quotable! How often has anyone ever said, “Inconceivable” or “Have fun storming the castle!”? Okay, maybe it’s just me, but it still follows the rom-com formula and holds the audience’s attention! Finally, Inigo Montoya and Vizzini make colorful supporting characters as they help Westly with his journey to marry Buttercup! It’s a touching story that audiences of all generations will enjoy.
Pretty Woman (1990)
“Pretty Woman” stands out as a quintessential romantic comedy that has captivated audiences for decades. Combining memorable performances, heartfelt storytelling, and iconic moments, it’s a film that perfectly balances romance and humor. Here’s what makes it a standout:
Chemistry Between the Leads
The dynamic between Julia Roberts as Vivian Ward and Richard Gere as Edward Lewis is magnetic. Their evolving relationship feels authentic, transitioning from initial skepticism to deep connection. Roberts’ vivacious and witty performance contrasts beautifully with Gere’s reserved, composed demeanor, creating a dynamic that’s both engaging and believable.
Compelling Character Arcs
One of the film’s strengths is its focus on character growth:
- Vivian’s Transformation: While Edward offers her opportunities, Vivian claims her self-worth on her own terms. Her journey is about more than just a wardrobe change; it’s about self-respect and demanding to be treated as an equal partner.
- Edward’s Redemption: Edward starts the film as a cold-hearted businessman but learns to connect emotionally. His growth is a testament to the power of love to humanize and transform.
Iconic Romantic Moments
The grand romantic gestures in “Pretty Woman” are unforgettable. Edward climbing the fire escape to “rescue” Vivian, roses in hand, is a scene straight out of a modern fairy tale. It’s dramatic yet heartfelt, symbolizing both characters’ willingness to overcome fears for the sake of love.
Humor That Lands
The film’s humor is warm, witty, and memorable. From Vivian’s playful honesty to her famous “Big mistake. Big. Huge.” shopping scene, the comedic moments blend seamlessly with the romance, ensuring the film remains lighthearted and fun.
Related Reading: Romantic Comedy Plot Structures: Classic vs. Contemporary
Balancing Fantasy and Real-Life Struggles
“Pretty Woman” masterfully intertwines the fantasy of a Cinderella story with relatable struggles. Themes like societal judgment, personal empowerment, and the quest for genuine connection ground the story, making it emotionally resonant.
Iconic Fashion and Style
Vivian’s wardrobe transformation symbolizes her journey. Her red opera gown and street-smart outfits have become cultural symbols, reflecting her growth and newfound confidence. These visual elements add to the film’s charm and timeless appeal.
Worst:
She’s the Man (2006)
Remember movies like Tootsie or Mrs. Doubtfire? Well, She’s the Man falls flat because maybe something about a woman dressing up as a man creates a sour taste. It may fall short because of the over-the-top humor, but the premise isn’t convincing. We’ve seen this a few times, and sometimes it can get a bit dry after a while. Given today’s society, it’s likely that “She’s the Man” wouldn’t get made. It’s critical that the protagonist develops as a character, and sadly, Viola doesn’t! In short, She’s the Man misses the mark, but that’s just me.
The Break Up (2006)
Before anyone rips my arm off, hear me out! The Break Up falls in the grey area of the rom-com genre because although there are comedic moments, there’s not much romance. From a writer’s perspective, it feels more like an anti-rom-com. The movie is marketed as a romantic comedy, but its tone swings awkwardly between humor and raw emotional conflict. While some appreciate its realistic portrayal of a failing relationship, many find it emotionally draining rather than entertaining. The humor often feels misplaced, undercutting the heavier themes rather than complementing them. It’s also essential that the characters are likable. However, Brooke (Jennifer Aniston) and Gary (Vince Vaughn) are portrayed as flawed individuals, which could have been compelling if their dynamics were more nuanced. Instead, their constant bickering and petty behavior make it hard for viewers to root for either character. The lack of personal growth leaves the audience frustrated. No matter how hard we try to root for their relationship, we just end up “breaking up” with the film overall. It’s not me, it’s you! (No offense.)
So tell me, what do you think is the best/worst rom-com? I’d love to hear your thoughts!
David Schwartz is a screenwriter and script consultant with a passion for helping others develop their craft. He began his journey in Fall 2012, enrolling in a screenwriting course, and continued his education with three additional classes before graduating in 2018. Since then, he has written a variety of scripts across different genres. David is dedicated to both his own creative work and supporting fellow writers in honing their skills.
For more information, visit his website and follow his socials: TikTok, Instagram, Bluesky.
Ready to learn screenwriting? Celtx has you covered:
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