We may understand what makes a protagonist and what makes an antagonist, but what is it about them and their conflict that shapes the course of a narrative? How do we use their relationship to inform the rest of the story?
In today’s article, we’ll explore these questions in depth, breaking down what makes the protagonist-antagonist dynamic so unique and critical to the stories we know and love, and how we can adopt these techniques into our own writing.
A conversation with Tyler C. Gore, a storyteller who finds joy in both the chaos and beauty of New York City, inviting us all to find humor in the unexpected.
How long should our scripts be? Understanding script length is important for many reasons, namely pacing and the potential success of a project, all dictated by the myriad of industry standards we have to follow, especially as up and coming screenwriters.
Taking a closer look at the role of stock characters in comedy, why they work so well, and how you can use them to enhance your own comedy writing, without falling into the dreaded pit of cliché!
Sundance is not just a festival, but a catalyst for creativity. Since the festival’s original inception in 1978, it has become synonymous with independent filmmaking and has launched countless careers.
In today’s article, we’ll be delving into the funny, funnier and funniest as we explore everything from the different types of comedy, what makes them funny, and how to structure your comedy script to include both visual and spoken comedy.