A jump scare isnโt a jump scare if we see it coming, and the final girl canโt be just that if we know who sheโs going to be in the …
Story Development
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Horror has had its fair share of hits and flops. But you came here for the best, and here at Celtx, we love to deliver! In todayโs article, weโll explore …
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Welcome back to our blog series: Mastering the Art of Screenwriting! Weโre overjoyed, ecstatic, thrilled, over the moon and delighted that youโre here with us (some might even sayโwe’re screaming).ย …
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FilmmakingScriptwritingStory Development
Internal vs. External Conflict: Why It Reigns Supreme in Storytelling
In todayโs article, weโll be throwing out the old and bringing in the new: what if we combined internal and external conflict and explored how they work together to create …
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FilmmakingIndustryProductionScriptwritingStory DevelopmentTelevision Writing
Game Over or Level Up? The Best/Worst Video Game Adaptations
…Letโs hit โStartโ and take a look at the adaptations that we always return to, those where we audiences didnโt think were worth a respawn and why. From The Last …
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About CeltxFilmmakingScriptwritingStory Development
Write a Script in Every Genre: The Celtx Screenwriting Series
The first installment of our comprehensive screenwriting series! Dive into essential tips, expert insights, and how to write a script in every genre.
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FilmmakingIndustryStory DevelopmentTelevision Writing
The Best and Worst Character Arcs in Modern TV and Film
A well-developed arc can work wonders for audience engagement in our screenplays, turning them either into a fan-favorite or most-hated. Crafting relatable and interesting characters makes the stories theyโre part …
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FilmmakingIndustryScriptwritingStory Development
The Bear, The Batman, and Barbie: Starting Strong in Storytelling
Whether youโre writing a short piece of fiction, a novel, poem, or screenplay, the general rule of thumb is to hook your audience. That hook could come in the first …
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IndustryScriptwritingStory DevelopmentUsing Celtx
Sitcom Showdown: Modern Sitcoms and Their Global Counterparts
Explore the key differences between US and UK sitcomsโfrom humor and pacing to structure and toneโwith examples from both sides of the Atlantic.
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IndustryScriptwritingStory Development
From Tunes to TV: An Interview with Comedy Writer Trevor Risk
by Jenny Fisherby Jenny FisherIf you look up Trevor Risk on IMDB, you’ll quickly find his writing credits for Letterkenny and Shoresy alongside a brief bio mentioning his contributions to the shows’ music. But …