Introduction With Halloween just around the corner, I had the chance to chat with Brandon Robinson, a director, writer, producer, and founder of Imagination Upgraded, a creative production company. Brandonโs …
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When writing a screenplay, itโs natural for us to focus on the plot, characters, dialogue and formatting. But when it comes to sending our scripts out into the wider world, …
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Both of these filmmakers have embraced the all-in-one model, the multi-hyphenate role of writer-director-producer of their projects. By embracing all three of these huge moviemaking roles, they ensure their vision …
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Explore the history of the film call sheet and how theyโve changed (or not) with the recent advancements in technology.
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FilmmakingIndustryPre ProductionProductionUsing Celtx
Celtx: Your Ultimate Tool for Creating an Efficient Shot List
Learn what a shot list is, why it’s essential to your shoot, and how to create one that keeps your production organized, efficient, and on track.
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One of the most noticeable changes is the leap in technology. Todayโs horror filmmakers have tools like CGI and advanced special effects that werenโt even imaginable when classics like The …
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A deep dive into some of the most famous disagreements between an executive producer and their other producers.
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FilmmakingIndustryProductionScriptwritingStory DevelopmentTelevision Writing
Game Over or Level Up? The Best/Worst Video Game Adaptations
…Letโs hit โStartโ and take a look at the adaptations that we always return to, those where we audiences didnโt think were worth a respawn and why. From The Last …
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FilmmakingIndustryStory DevelopmentTelevision Writing
The Best and Worst Character Arcs in Modern TV and Film
A well-developed arc can work wonders for audience engagement in our screenplays, turning them either into a fan-favorite or most-hated. Crafting relatable and interesting characters makes the stories theyโre part …
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FilmmakingIndustryScriptwritingStory Development
The Bear, The Batman, and Barbie: Starting Strong in Storytelling
Whether youโre writing a short piece of fiction, a novel, poem, or screenplay, the general rule of thumb is to hook your audience. That hook could come in the first …