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Story Development

25 Theme Examples Every Writer Should Know

by Natasha Stares October 23, 2026
by Natasha Stares October 23, 2026
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Key Takeaways

  • Theme is the central idea, question, or argument explored through a story, not a single word like “love” or “power,” but a complete statement like “love requires vulnerability” that shows your point of view
  • The strongest themes emerge from character choices, conflict, relationships, and consequences rather than being announced through dialogue or exposition
  • Theme and character arc are deeply connected: what your protagonist learns, refuses to learn, or is forced to change about their beliefs is where your story’s meaning lives

Introduction

A story can have a gripping plot, memorable characters, and perfectly timed twists, but what’s it really saying? That’s where theme comes in.

Theme is the deeper idea running beneath a story. It’s what the audience is left thinking about once the immediate action is over. A film might appear to be about surviving a shark attack, winning a boxing match, or destroying a magical ring, but underneath, it could be exploring fear, perseverance, power, friendship, or sacrifice.

Writers don’t always begin with a theme, and they don’t need to announce one in every scene. However, understanding the ideas inside your story can help you make stronger choices about character, conflict, and endings. A well-chosen theme gives your screenplay purpose and focus, guiding the actions, choices, and growth of each character and making their journeys feel natural and compelling. 

In today’s blog, we’ll focus on 25 common story themes, along with practical examples of how they can shape your next screenplay, novel, or television series.

Truman Burbank ascending the stairs at the conclusion of The Truman Show.
The Truman Show (1998) – Paramount Pictures

Table of Contents

  • What Is Theme?
  • 25 Common Story Themes
  • Theme Examples in Film
  • Choosing the Right Theme
  • Common Theme Mistakes
  • FAQ
  • Conclusion

What Is Theme?

Theme is the central idea, question, or argument explored through a story.

It isn’t usually a single word. “Love” is a subject, while “love requires vulnerability” is closer to a theme. “Power” is a subject, while “the pursuit of power can destroy the person seeking it” expresses a point of view.

Theme develops through:

  • Character choices
  • Conflict
  • Relationships
  • Repeated images or ideas
  • Consequences
  • The ending

A story can also explore several themes at once, although one or two will usually feel most important. For a deeper look at how theme works, read our full guide What is Theme – And How to Use It in Your Script.

25 Common Story Themes

1. Love

Love stories aren’t only about romance. They can explore family, friendship, loyalty, self-love, or devotion to a cause. A writer might ask whether love is enough to overcome distance, betrayal, fear, or incompatible goals.

2. Friendship

Friendship themes often focus on trust, loyalty, jealousy, sacrifice, and change.

The strongest friendship stories test the relationship rather than simply showing two people who get along.

3. Family

Family stories can explore belonging, obligation, inheritance, resentment, forgiveness, and generational conflict. They’re especially effective when characters disagree over what family loyalty actually demands.

4. Good vs Evil

This theme places opposing moral forces in conflict. It can be simple and mythic, but it doesn’t have to be. More complex stories question whether good people can commit harmful acts or whether evil can disguise itself as order, justice, or protection.

5. Coming of Age

Coming-of-age stories follow characters as they move towards greater emotional, social, or moral maturity. They often involve first experiences, lost innocence, changing relationships, and the realization that adulthood won’t provide every answer.

6. Identity

Identity themes explore who a character is, who they believe they should be, and how others define them. Stories might examine cultural identity, professional identity, secret identities, gender, reputation, or the pressure to perform a role. Whether a protagonist is redefining their sense of identity or finding strength through adversity, this theme makes for dynamic storytelling.

7. Power

Power can be political, financial, physical, social, or emotional.

A story may ask who deserves power, how it changes people, or what someone’s willing to sacrifice to obtain or keep it.

8. Corruption

Corruption stories show individuals or institutions losing their moral center. The decline may happen gradually, with each compromise making the next one easier.

9. Revenge

Revenge gives characters an immediate objective, but the theme usually lies in its cost.

Does revenge bring closure, or does it keep the original harm alive? Can justice exist without mercy?

10. Redemption

Redemption stories follow characters trying to repair past damage or become someone better. The most compelling versions don’t make forgiveness easy. Change should require action, sacrifice, and accountability. Redemption and forgiveness add emotional weight to your screenplay, encouraging both character growth and audience empathy.

11. Sacrifice

Sacrifice asks what a character is willing to give up for another person, a principle, or a greater cause. The loss could involve safety, status, love, freedom, ambition, or life itself.

12. Survival

Survival stories strip life down to its most immediate needs. However, the deeper theme often asks what characters must become to survive and whether physical survival is worth losing their humanity.

13. Grief

Grief stories explore how people respond to absence and irreversible change. Some characters deny loss, some become consumed by it, and others slowly learn to live alongside it.

Strengthen every story by defining its central theme in Celtx.

14. Fear

Fear can protect characters, imprison them, or push them towards destructive decisions. A story may explore whether courage means becoming fearless or acting despite fear.

A group of hobbits led by Frodo to return the One Ring in Lord of the Rings. This film often gravitates around the theme of fear.
The Lord of the Rings (2001-2003) – New Line Cinema

15. Freedom

Freedom themes often involve escape from political oppression, social expectation, abusive relationships, or personal limitations. They also raise a difficult question: what does a character do once they’re finally free?

16. Justice

Justice stories explore punishment, fairness, responsibility, and truth.

They often place legal justice in conflict with personal morality. What’s lawful isn’t always right, and what feels right isn’t always lawful.

17. Prejudice

Stories about prejudice examine how individuals and groups are judged through stereotypes, fear, inherited hatred, or unequal systems. The theme becomes stronger when prejudice affects choices and relationships rather than appearing only in speeches.

18. Ambition

Ambition can inspire achievement or lead to obsession. A character’s goal may begin as admirable, but the story tests whether success is still meaningful when it costs everything else.

19. Isolation

Isolation may be physical, social, or emotional. Characters can feel isolated in crowded rooms, within families, or even inside seemingly happy relationships. The story may ask whether connection is possible and what prevents it.

20. Change

Change is at the heart of most stories. Characters may resist change, fight to create it, or discover that the change they wanted has unexpected consequences. How a character responds to being forced to abandon their core beliefs and values to achieve their goal often reveals the story’s thematic message.

21. Fate vs Free Will

These stories question whether characters control their lives or are trapped by destiny, prophecy, society, or their own nature. Ironically, attempts to escape fate often help bring it about.

22. Truth and Deception

Secrets, lies, misunderstandings, and hidden identities naturally create conflict. The deeper theme may explore whether truth always sets people free or whether some truths can permanently damage them.

23. Humanity vs Technology

Technology stories often ask whether innovation improves human life or exposes our worst impulses. The real conflict usually is how humans choose to create, control, and depend on those machines.

24. Nature vs Humanity

This theme explores humanity’s attempt to dominate, survive, or coexist with the natural world. Nature may be presented as dangerous, indifferent, beautiful, or damaged by human behavior.

25. Hope

Hope gives characters a reason to continue when success feels impossible. It doesn’t require an optimistic story. In fact, hope can be most powerful when the world offers little evidence that things will improve.

Theme Examples in Film

Themes become meaningful through specific characters and choices. Here are a few well-known examples of theme in film.

The Godfather: Power and Corruption

Michael Corleone begins the film determined to remain separate from his family’s criminal world. However, his desire to protect them gradually pulls him into violence and leadership.

The film’s theme isn’t simply “family.” It explores how loyalty to family can become an excuse for corruption and control. Michael’s character arc from reluctant outsider to ruthless leader embodies this thematic transformation. The internal conflict between Michael’s values at the story’s beginning and his actions by the end creates the thematic subtext that gives the plot its deeper meaning. 

Learn more about how character arc and theme interweave in our guide to character arcs.

The Corleone family taking a family photo at a wedding in The Godfather.
The Godfather (1972) – Paramount Pictures

Jaws: Fear and Responsibility

On the surface, Jaws is about hunting a shark.

Beneath that, it’s about fear and responsibility. Chief Brody is frightened of the water, but he must enter it to protect the community. Meanwhile, local officials ignore the danger because acknowledging it would threaten the town’s economy.

The shark creates the plot, but the characters’ responses to fear create the theme.

The Lord of the Rings: Power and Sacrifice

The One Ring offers power while gradually corrupting anyone who carries it.

The story repeatedly contrasts characters who want to possess power with those willing to surrender it. Frodo’s journey also explores sacrifice, as saving the world leaves him permanently changed.

The Truman Show: Freedom and Identity

Truman lives inside a world designed to control him.

His journey is about more than discovering that his life is a television programme. It’s about choosing uncertainty and freedom over a comfortable identity created by someone else.

Parasite: Class and Inequality

Parasite follows two families from very different economic backgrounds.

Rather than presenting wealth and poverty as abstract ideas, the film builds its themes into the locations, relationships, and even the physical movement of the characters. Who lives above ground? Who lives below it? Who gets to ignore the rain, and whose home is destroyed by it?

Toy Story: Friendship, Jealousy and Change

Woody’s conflict with Buzz begins because he’s afraid of being replaced. The film explores how friendship becomes possible once Woody accepts that change doesn’t erase his value. Its themes grow directly from a relatable emotional fear.

Buzz and Woody riding on the RC car trying to catch up with Andy's mom's car in Toy Story.
Toy Story (1995) – Walt Disney Studios Motion Pictures

Choosing the Right Theme

You don’t need to choose a theme before writing your first scene.

Sometimes, theme appears naturally as you develop the characters and conflict. You may notice that several scenes revolve around trust, control, ambition, or belonging.

Once you recognize that pattern, ask:

  • What belief does the protagonist hold at the beginning?
  • What does the antagonist believe?
  • How does the conflict test those beliefs?
  • What does the protagonist learn or refuse to learn?
  • What does the ending suggest?

Your theme should connect naturally to the character’s central problem.

If your protagonist desperately wants success, the story might explore ambition, sacrifice, or self-worth. If they’re hiding an important truth, the theme might involve identity, shame, or honesty. 

You don’t need to force a grand message onto the story. Start with the emotional problem already present. Use Celtx’s story development tools to map out these connections and ensure theme guides every beat of your story.

Common Theme Mistakes

Treating Theme as a Single Word

“Family” is a broad topic, not a complete theme. Instead, try turning it into a question or statement. Does family require unconditional loyalty? Can chosen family be stronger than blood? When does protecting family become controlling them?

Explaining the Theme Through Dialogue

Characters can discuss ideas, but they shouldn’t constantly explain what the story means. Let decisions and consequences do most of the work. The protagonist’s choices and the outcomes of those choices reveal theme far more powerfully than exposition or speeches. 

Making Every Character Agree

Theme becomes more interesting when characters hold conflicting beliefs. One character may see ambition as necessary, while another sees it as destructive. The story tests both positions.

Choosing a Theme That Doesn’t Affect the Plot

If you claim your story is about forgiveness, but nobody needs to forgive anyone, the theme will feel disconnected. The central idea should shape important choices.

Becoming Too Preachy

A story isn’t an essay with characters attached. Leave room for contradiction, uncertainty, and audience interpretation. The most memorable themes often raise difficult questions rather than providing easy answers

FAQ

Can a story have more than one theme?

Yes. Most stories contain several themes, although one or two usually dominate. A family drama might also explore grief, forgiveness, identity, and loyalty.

Is theme the same as genre?

No. Genre describes the type of story, such as horror, romance, comedy, or science fiction. Theme describes the deeper ideas being explored within it.

Do writers need to know the theme before writing?

Not always. Some writers begin with a clear theme, while others discover it during drafting. Either approach works, provided the theme eventually feels connected to the story.

Should the protagonist state the theme?

They don’t have to. A character may voice an important idea, but theme is usually expressed more powerfully through behavior, conflict, and consequences.

Can a theme change during rewriting?

Absolutely. Rewriting often reveals what the story is truly about. You may begin with one idea and discover that another has become more important.

Keep reading on the Celtx blog:

  • What Is a Character Arc? Types, Examples + How to Write One
  • What is a B Story? Why Subplots Matter in Film & TV 
  • What is a Motif in Film? Themes & Symbols Explained

Conclusion

Theme is what gives a story meaning beyond its immediate events. It turns a boxing match into a story about self-worth, a monster attack into an exploration of fear, or a family argument into a conflict about loyalty and identity.

Writers don’t need to begin with a perfect thematic statement. The most common and effective way theme emerges is through the main character’s journey. Start with a character who wants something, then examine the beliefs, sacrifices, and choices involved in pursuing it. What they learn (or don’t learn) reveals the story’s thematic message. 

Use Celtx’s character arc and story development tools to allow your theme to emerge naturally, and ensure every scene, decision, and consequence reinforces your central thematic idea.

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Author

  • Celtx Screenwriting Expert Natasha Stares
    Natasha Stares

    Natasha is the Celtx Screenwriting Expert, a UK-based freelance screenwriter, script editor, and film writer with extensive experience in story development, structure, character, and screenplay craft across film and television. As a Fiverr Top Rated Seller, she has worked on more than 500 scripts, helping writers develop, strengthen, and refine projects across a wide range of genres and stages of development.

    Alongside her script work, Natasha writes extensively about screenwriting, filmmaking, and storytelling, and is the co-host of the film and television podcast Fighting Over Fiction. She has a particular love for sci-fi and genre cinema.

    When she’s not at her desk, you’ll usually find her at the theatre or walking through the English countryside, regardless of what the British weather has planned!

    View all posts
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