Part 4 of our Mastering the Art of Screenwriting Series. Today, we’re leaving Earth’s atmosphere and heading for the stars as we dive into how to create your own sci-fi …
character development
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Part 2 of our Screenwriting Series: A deep dive into the horror genre, focused on complex characters and building terrifying atmosphere.
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Introduction: the role of flat characters in horror It takes all sorts to make a world, and the same goes for the characters in our stories. While our rounded characters …
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A jump scare isn’t a jump scare if we see it coming, and the final girl can’t be just that if we know who she’s going to be in the …
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Many of the show’s skits, stars and moments have defined some of the most influential pop culture references, been a springboard for some of the world’s most renowned comedians and …
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Welcome back to our blog series: Mastering the Art of Screenwriting! We’re overjoyed, ecstatic, thrilled, over the moon and delighted that you’re here with us (some might even say—we’re screaming). …
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FilmmakingScriptwritingStory Development
Internal vs. External Conflict: Why It Reigns Supreme in Storytelling
In today’s article, we’ll be throwing out the old and bringing in the new: what if we combined internal and external conflict and explored how they work together to create …
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FilmmakingIndustryProductionScriptwritingStory DevelopmentTelevision Writing
Game Over or Level Up? The Best/Worst Video Game Adaptations
…Let’s hit ‘Start’ and take a look at the adaptations that we always return to, those where we audiences didn’t think were worth a respawn and why. From The Last …
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FilmmakingIndustryStory DevelopmentTelevision Writing
The Best and Worst Character Arcs in Modern TV and Film
A well-developed arc can work wonders for audience engagement in our screenplays, turning them either into a fan-favorite or most-hated. Crafting relatable and interesting characters makes the stories they’re part …
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IndustryScriptwritingStory DevelopmentUsing Celtx
Sitcom Showdown: Modern Sitcoms and Their Global Counterparts
Explore the key differences between US and UK sitcoms—from humor and pacing to structure and tone—with examples from both sides of the Atlantic.